Watch film Addicted To Fame with HD Format

"ADDICTED TO FAME" is the hilarious, outrageous, and ultimately tragic true story of one filmmaker's journey from obscurity to moral blindness in the seductive glare of the media spotlight. Director DAVID GIANCOLA wanted to break out by making a "Movie that mocked B-Movies". He thought he could manipulate the media by casting ANNA NICOLE SMITH. In the end the media manipulated him instead as his star and one of his Producers died in a media feeding frenzy. The film bombed but the story was the most reported event of 2007 - behind only coverage of the Iraq war. The truth is always stranger and more unbelievable than fiction...
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Movie Title : Addicted To Fame
Genre Movie :Documentary,Television,Comedy,Special Interest
Mpaa Rating : PG-13
Release Date : Nov 30, 2012 Limited

Actors :Anna Nicole Smith,David Giancola,John James,Joanie "Chyna" Laurer,Howard K. Stern,Daniel Wayne Smith,Mary Beth French,Zorinah Juan,Ben Coello,Chyna,Larry King

Visitor Ranting & Critics For Addicted To Fame

User Ranting Addicted To Fame : 4.7
User Percentage For Addicted To Fame : %
User Count Like for Addicted To Fame : 150
All Critics Ranting For Addicted To Fame : 3.3
All Critics Count For Addicted To Fame : 11
All Critics Percentage For Addicted To Fame : 27 %

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Review For Addicted To Fame

"Addicted" proves a strangely sad yet wildly compelling cautionary tale.
Gary Goldstein-Los Angeles Times

A valuable reflection of contemporary celebrity culture - simply because it shows us how low we've fallen.
Elizabeth Weitzman-New York Daily News

Entertaining if ultimately depressing.
Dennis Harvey-Variety

Behind-the-scenes look at Anna Nicole Smith's swan song is barely more competent than the exploitation flick it examines.
John DeFore-Hollywood Reporter

[A] hapless, clueless, necrophiliac documentary ...
Lisa Schwarzbaum-Entertainment Weekly

Cheap-o, disingenuous ...
Alan Scherstuhl-Village Voice

So how much are attention addicts Giancola and Anna Nicole Smith alike as they weirdly bond away in his movie? Giancola was shrewd enough to foolproof his film with deliberate self-parody, while Smith succumbed to her own self-dehumanization.
Prairie Miller-Long Island Press

Addicted to Fame is like a feature-length whine disguised as a documentary.
Ethan Alter-Television Without Pity

The pitfalls of not knowing the difference between "notoriety" and "fame" were never clearer.
Roger Moore-McClatchy-Tribune News Service

Judging by the film's alternately self-pitying, self-aggrandizing, and bitter tone, the schlock director is afflicted with a bizarre lack of self-consciousness to rival Smith's own impregnable wall of self-delusion.
Nathan Rabin-AV Club

The cinematic equivalent of staging a disaster and then bitching about the mess.
Nick McCarthy-Slant Magazine

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Watch film Insidious: Chapter 2 with HD Format

The famed horror team of director James Wan and writer Leigh Whannell reunite with the original cast of Patrick Wilson, Rose Byrne, Lin Shaye and Ty Simpkins in INSIDIOUS: CHAPTER 2, a terrifying sequel to the acclaimed horror film, which follows the haunted Lambert family as they seek to uncover the mysterious childhood secret that has left them dangerously connected to the spirit world. (c) FilmDistrict PG-13
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Movie Title : Insidious: Chapter 2
Genre Movie :Mystery & Suspense,Horror
Mpaa Rating : PG-13
Release Date : Sep 13, 2013 Wide

Actors :Patrick Wilson,Rose Byrne,Lin Shaye,Ty Simpkins,Barbara Hershey,Jocelin Donahue,Lindsay Seim,Danielle Bisutti,Andrew Astor,Leigh Whannell,Tom Fitzpatrick,Garrett Ryan,Steve Coulter,Hank Harris,Tyler James Griffin,J LaRose

Visitor Ranting & Critics For Insidious: Chapter 2

User Ranting Insidious: Chapter 2 : 3.8
User Percentage For Insidious: Chapter 2 : 72 %
User Count Like for Insidious: Chapter 2 : 32,611
All Critics Ranting For Insidious: Chapter 2 : 4.6
All Critics Count For Insidious: Chapter 2 : 79
All Critics Percentage For Insidious: Chapter 2 : 37 %

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Review For Insidious: Chapter 2

Though there's some admirably clever plotting to interweave the film's second half with events in the original, it's simply not as scary.
Ian Buckwalter-The Atlantic

Insidious: Chapter 2 is not only unnecessary but it commits the cardinal sin of devaluing its predecessor.
James Berardinelli-ReelViews

An increasing amount of metaphysical backtracking dilutes the few simple jolts that do work this time around.
William Goss-Film.com

Most of Chapter 2 is unintentionally hilarious.
Nick Schager-Village Voice

Insidious: Chapter 2 follows the further misfortunes of the Lambert family with diminishing insidious rewards.
Liam Lacey-Globe and Mail

Wan is getting better and better at figuring out what to do with the camera, and maneuvering actors within a shot for maximum suspense, while letting his design collaborators do the rest.
Michael Phillips-Chicago Tribune

INSIDIOUS: CHAPTER 2 feels like a guided tour through a haunted house you have visited once too often: the scares come too seldom, and the guide keeps boring you with background details you don't really need to know.
Steve Biodrowski-Cinefantastique

Too campy and too silly for its own good.
Willie Waffle-WaffleMovies.com

What a shame that director James Wan had to follow up a triumph like this summer's The Conjuring with a complete dud like Insidious: Chapter 2. A disjointed mess.
Mike McGranaghan-Aisle Seat

Nothing in the picture delivers the jolts that the first 'Insidious,' or Wan's more recent 'The Conjuring,' did.
Frank Swietek-One Guy's Opinion

Insidious: Chapter 2 expands upon the original story in an intriguing and smart way - tweaking and evolving series ideas in new (and spooky) ways.
Kofi Outlaw-ScreenRant

For a somewhat forced sequel, Insidious: Chapter 2 has enough thrills to make it a fun release on Friday the 13th.
Kevin Carr-7M Pictures

Insidious: Chapter 2 is a puzzle movie with too many unnecessary pieces and not enough essential ones, but it's superior to its predecessor in a few basic ways.
Simon Abrams-RogerEbert.com

Wan reintroduces the 21st century curse of digital sound effects overkill. By the end, you'll be watching "Din-sidious".
Graham Young-Birmingham Mail

Whannell's script is so rife with portentous backstory, third-act goofiness, and a denouement that practically screams Insidious 3: Same Old S---, that the film as a whole is jarring, and not in a good way.
Marc Savlov-Austin Chronicle

just because it's not as good as the original doesn't make this sequel a bad movie.
Jeffrey M. Anderson-Common Sense Media

This sequel to the horror hit about a boy lost in the demon-infested netherworld called The Further adds the element of time travel to its paranormal expeditions -- and sinks in its own murk.
Michael Sragow-Orange County Register

Wilson's new role is that of stock Lifetime-movie aggressor, veering between tortured monologues and ham-fisted apologies to the hysterical Byrne, who stumbles through the film like a Mr. Magoo caught in cobwebs.
Charlie Schmidlin-The Playlist

Not much that's new (hey, it's a sequel) but there's still an old-fashioned respect for the pleasures of simple creepiness.
Scott Weinberg-FEARnet

Despite its assured direction, the sequel to 2011's Insidious insists upon trotting out the hoary clichés of countless scarefests before it.
John Serba-MLive.com

Sloppily made, with a sensationalized subplot involving gender identity issues that left a bad taste in my mouth. One of the year's biggest cinematic disappointments.
Fr. Chris Carpenter-Movie Dearest

Repetitive, cluttered, just silly variation on the first movie that will feel like a step back for anyone who admired Wan's notable advancement as a filmmaker in this summer's stellar The Conjuring.
Brian Tallerico-HollywoodChicago.com

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Watch film American Mary with HD Format

"Twisted Twins" Jen and Sylvia Soska are back with their stunning follow-up to the indie hit Dead Hooker in a Trunk. AMERICAN MARY is the story of a medical student named Mary who is growing increasingly broke and disenchanted with medical school and the established doctors she once idolized. The allure of easy money sends a desperate Mary through the messy world of underground surgeries which leaves more marks on her than the so-called freakish clientele. Appearances are everything. (c) Xlrator R
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Movie Title : American Mary
Genre Movie :Mystery & Suspense,Horror
Mpaa Rating : R
Release Date : May 31, 2013 Limited

Actors :Katharine Isabelle,Antonio Cupo,Tristan Risk,David Lovgren,Paula Lindberg,Clay St. Thomas,John Emmet Tracy,Twan Holliday,Julia Maxwell,Connor Stanhope,Paul Anthony (VI)

Visitor Ranting & Critics For American Mary

User Ranting American Mary : 3.4
User Percentage For American Mary : %
User Count Like for American Mary : 2,691
All Critics Ranting For American Mary : 5.5
All Critics Count For American Mary : 46
All Critics Percentage For American Mary : 57 %

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Review For American Mary

Alt horror about a Seattle surgery drop-out is a mediocre specimen of the Canadian kinky flesh genre of "Antiviral," "Crash" and "Kissed." End credits say "For Eli Roth."
Bill Stamets-Chicago Sun-Times

Writer-directors Jen and Sylvia Soska don't seem to have their material completely under control, but they've created a worthy entry in the Freaks school of cult cinema.
J. R. Jones-Chicago Reader

This is truly a cut above.
Geoff Pevere-Globe and Mail

Writer-director siblings Jen and Sylvia Soska allow their film to turn slack and unfocused after an enticingly lurid, wickedly tense first half.
Gary Goldstein-Los Angeles Times

It's a truly interesting slasher fest; in this one, the heroine gets to be both beauty and beast.
Farran Smith Nehme-New York Post

Combines gore, quiet dread, feminist conviction and a visual classicism, often using a red palette, with impressive, unbelabored dexterity.
Andy Webster-New York Times

The almost excessively uneven narrative does, in the end, cancel out the effectiveness of the film's positive attributes...
David Nusair-Reel Film Reviews

Watching Mary's unpleasant journey is intriguing and each character having identifiable quirks is a strong point, but unfortunately American Mary isn't really anything all that special otherwise.
Chris Sawin-Examiner.com

Sexy and delightfully deadpan, Katharine Isabelle absolutely kills it as loner med student Mary, so passionate about perfecting her surgical skills that she spends her evenings suturing turkey flesh.
Laura Kern-Film Comment Magazine

Alternately creepy and languid, incisive and aimless, American Mary examines a provocative subject, heralding the duo as a couple of the genre's next great voices - that is, as soon as their follow-through proves as strong as their set-up.
Todd Gilchrist-The Playlist

Creepy, perverted, disgusting fright flick filled with horrific imagery.
Susan Granger-SSG Syndicate

A mindless exercise in sadism that's neither scary nor a guilty pleasure.
Avi Offer-NYC Movie Guru

Try as the sisters might, American Mary is neither scary or funny.
Jonathan Forani-National Post

Given its many failings, nothing short of an extreme makeover could save American Mary. Scalpel, please.
Steve Davis-Austin Chronicle

American Mary is the newest addition to a long list of horror films about disturbed and disturbing doctors,and it's a worthy one.
Maitland McDonagh-Film Journal International

Filmmakers display a burgeoning talent that should be exciting to watch develop in future endeavors, especially if they stick close to the beat of their black hearts, eschewing the temptation of screenwriting templates.
Brian Orndorf-Blu-ray.com

The filmmakers certainly exaggerate (i.e. exploit) their subject, but for a community that prides itself on shock value, there seems no sufficient alternative.
Drew Hunt-Slant Magazine

American Mary simply reveals itself as a film with little on its mind, content to scare rubberneckers into contemplating the backstory of the more outlandish body manipulation jobs they've seen in public. A documentary would have sufficed.
Gabe Toro-The Playlist

The Soska Sisters have directed a sharp, smartly acted and squirmy motion picture.
William Bibbiani-CraveOnline

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Watch film The Vow with HD Format

A newlywed couple recovers from a car accident that puts the wife in a coma. Waking up with severe memory loss, her husband endeavors to win her heart again. -- (C) Sony Pictures PG-13
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Movie Title : The Vow
Genre Movie :Drama,Romance
Mpaa Rating : PG-13
Release Date : Feb 10, 2012 Wide

Actors :Rachel McAdams,Channing Tatum,Jessica Lange,Sam Neill,Wendy Crewson,Tatiana Maslany,Lucas Bryant,Scott Speedman,Joey Klein,Joe Cobden,Jeananne Goossen,Dillon Casey,Shannon Barnett,Lindsay Ames,Kristina Pesic,Brittney Irvin,Sarah Carter,Angela Vint,Rachel Skarsten,Bill Turnbull

Visitor Ranting & Critics For The Vow

User Ranting The Vow : 3.6
User Percentage For The Vow : 63 %
User Count Like for The Vow : 122,303
All Critics Ranting For The Vow : 4.9
All Critics Count For The Vow : 126
All Critics Percentage For The Vow : 29 %

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Review For The Vow

The Vow is a welcome antidote to cynicism, and a bracing tonic that proves love hasn't disappeared from the film experience completely.
Rex Reed-New York Observer

The Vow makes the least of its concept, refusing to acknowledge that a love need not be perfect to merit holding on to.
Nick Pinkerton-Village Voice

The two stars look dewy and glossy and unexceptional, bound together less by chemistry than by the ministrations of a hard-working costume designer.
Lisa Schwarzbaum-Entertainment Weekly

'The Vow' is inspired by a true and wonderful story, but that doesn't make the fictionalized version any less ridiculous.
Richard Roeper-Richard Roeper.com

Tatum is unusually expressive; Speedman, both hiss-worthy and sympathetic. But McAdams is the real draw.
Joseph M. Amodio-Newsday

As usual, Channing Tatum looks sweet and dull and, in most scenes, slightly confused.
Stephen Whitty-Newark Star-Ledger

The film isn't as bad as what it looks like--the Chinatown knockoff equivalent of a Nicholas Sparks movie--but that doesn't mean that those outside the target audience won't find it a painful experience.
Kimber Myers-The Playlist

Like a less successful version of The Notebook, this works as an undemanding date movie; just don't expect much more from it.
Catherine Bray-Film4

Ultimately the vision of love and marriage that is being presented here is a fairly routine, secular one, that it is love that binds us to a vow and not the other way around.
Kenneth R. Morefield-Christianity Today

"The Vow" might have been a decent film had the filmmakers taken the time to allow the characters to develop, or perhaps even if a better actor was cast in the lead.
Jeff Beck-Examiner.com

Thankfully The Vow spares us from all of that shakey-camera'd nonsense, but that's about all it spares us from.
Kristal Cooper-We Got This Covered

The Vow presents some fascinating challenges for Leo and Paige, yet without fail the screenplay comes up short in allowing them to overcome the obstacles in their paths.
Mark Pfeiffer-Reel Times: Reflections on Cinema

The 2004 Adam-Sandler-Drew Barrymore comedy 50 First Dates played retrograde amnesia for laughs, but The Vow, loosely inspired by the experiences of real-life couple Kim and Krickitt Carpenter, aims strictly for the tear ducts.
Jason Best-Movie Talk

The film is almost awe-inspiring in its unabashed embrace of a love so all-encompassing that Paige even treasures Leo's flatulence. (Seriously -- she rolls up the car window so the smell won't escape.)
John Beifuss-Commercial Appeal (Memphis, TN)

So full of trite phrases, clichéd moments and uncool coolness (she has a tattoo on her back!), it's mind-wiping. I vow to forgive this movie, just to forget it faster.
Brian Gibson-Vue Weekly (Edmonton, Canada)

Execution is what really matters in B-movies, and as silly as it sounds, The Vow is a remarkably restrained, sweet little movie that never tugs so hard it becomes annoying.
Philip Martin-Arkansas Democrat-Gazette

Neither particularly romantic nor comedic, nonetheless represents a middling love story that should suit most of its intended audience relying on the chemistry of its stars.
Bruce Bennett-Spectrum (St. George, Utah)

Like a Nicholas Sparks novel with a dash of wit, a hint of edge and a smidgen less sap.
Roger Moore-McClatchy-Tribune News Service

One of those 'inspired by a true story' things as concerns its premise, but in reality it feels more 'inspired by Nicholas Sparks.'
Ken Hanke-Mountain Xpress (Asheville, NC)

The story of how Paige and Leo met is riddled with clichés
Sam Bathe-Fan The Fire

...eventually morphs into a seriously tedious little drama...
David Nusair-Reel Film Reviews

Oh, was there ever an opportunity here. But it's easier to go the traditional route, I guess, than make waves.
Linda Cook-KWQC-TV (Iowa)

It gets bogged down in mopey melodrama and never quite recovers.
Matt Brunson-Creative Loafing

It's been designed as a female fantasy, a delivery system for bare pecs and caring glances.
Margot Harrison-Seven Days

Sweetly syrupy, filled with slick, heart-tugging, tear-jerking sentiment.
Susan Granger-SSG Syndicate

... slickly efficient, buoyed by excellent performances ...
Jim Lane-Sacramento News & Review

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Watch film Cirque Du Soleil: Worlds Away with HD Format

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Watch film Pieta with HD Format

Winner of the Golden Lion at the 2012 Venice Film Festival, Pieta is the acclaimed film from the celebrated and controversial Korean director Kim Ki-Duk (Bad Guy; Spring, Summer, Fall, Winter... And Spring; 3-Iron). In this intense and haunting story, a loan shark living an isolated and lonely existence uses brutality to threaten and collect paybacks from desperate borrowers for his moneylender boss. He proficiently and mercilessly collects the debts without regard to the pain he causes his countless victims. One day, a mysterious woman appears in front of him claiming to be his long-lost mother. After coldly rejecting her at first, he gradually accepts her in his life and decides to quit his cruel job and seek a decent, redemptive life. However, he soon discovers a dark secret stemming from his past and realizes it may be too late to escape the horrific consequences already set in motion from his previous life. (c) Drafthouse Films
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Movie Title : Pieta
Genre Movie :Drama
Mpaa Rating : Unrated
Release Date : May 17, 2013 Limited

Actors :Jo Min-soo,Lee Jungjin,Eunjin Kang,Jae-rok Kim,Jin Yong-Ok,Min Soo Jo,Cho Min-soo,Jeong-jin Lee,Jo Jae-ryong,Lee Myeong-ja,Woo Gi-hong

Visitor Ranting & Critics For Pieta

User Ranting Pieta : 3.7
User Percentage For Pieta : 73 %
User Count Like for Pieta : 2,007
All Critics Ranting For Pieta : 6.6
All Critics Count For Pieta : 47
All Critics Percentage For Pieta : 74 %

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Review For Pieta

There is a touch too much of the handheld camera, but in general one senses that the very quality of the way this film was made is one of its justifications for being and for its raw moments.
Stanley Kauffmann-The New Republic

After being subjected to disturbing scenes of abject cruelty, rape and torture, my reactions shifted from squeamish revulsion to a reluctant yet growing appreciation for Kim's thematic ambition.
Jeff Shannon-Seattle Times

Fascination returns at the stirring climax, when the plot neatly twists and the film's apparently simple message turns deeper, and blacker.
Rick Groen-Globe and Mail

A mother's love for her child takes on brutal new meaning in Pieta, a film by Kim Ki-duk that's as hard to watch as it is to forget.
Peter Howell-Toronto Star

Like many South Korean films, revenge is a major theme here, although the way Kim handles it is particularly subtle and surprising: It sneaks up on you.
Rene Rodriguez-Miami Herald

May not rank with the operatic madness of Park Chan-wook, or the visceral overkill of Kim Jee-woon, but if you're still not sick of feeling sick, then Pieta might be the movie for you.
William Goss-Film.com

Nasty is as nasty does, and this lurid if aspirational potboiler does its thing, but the camera could have been let in on the joke.
Guy Lodge-HitFix

Oedipal metaphysics give way to something altogether more mundane, but Jo and Lee are committed leads, the former carrying the burden of the movie with motherly care and attention.
Mark Kermode-Observer [UK]

Kim intends a parable about capitalism run amok, which is about as subtle as a wrecking ball aimed at the World Bank.
Tim Robey-Daily Telegraph

Dark and twisted but without the depth to back it up, Pietà is determined to provoke controversy at the expense of characterisation.
Neil Alcock-Film4

The film is far from a masterpiece ... but it bristles with Kim's trademark anger and agony.
Peter Bradshaw-Guardian [UK]

A vicious, unrelenting and bleak drama depicting the devastating effect of the current economic climate on society.
Katherine McLaughlin-ViewLondon

Repellent on every level.
Glenn Heath Jr.-Little White Lies

Anyone who can get past its surface aggression will discover one of the more delicately crafted character studies of modern cinema, and a testament to the talent of director Kim Ki-duk, who continues to shock and astound in equal measure.
Evrim Ersoy-Electric Sheep

This film will split opinions, but one thing we can all rejoice in together, is witnessing the unhappiest blowing out of candles on a birthday cake you'll see on the big screen in a long while!
Stefan Pape-HeyUGuys

Pieta is the kind of film that sends sensitive audiences rushing towards the exit and yet for those who remain to the bitter end there is method in all of this savagery, purpose visible through the grey clouds of unrelenting bleakness.
Allan Hunter-The List

As the intensity ramps up, Pieta skews more towards silliness than shock.
Andrew Lowry-Total Film

It's compelling stuff, a film that starts out as one thing but subtly shifts to become something else entirely.
Mike Scott-Times-Picayune

Kim crafts a quietly powerful, character-driven morality tale that is less about the relationship between mother and son than it is about money and happiness.
Todd Jorgenson-Cinemalogue.com

A gangster story with a latent conscience.
Katherine Monk-Canada.com

The film's big reveal may not come as that much of a surprise; you may figure out where it's going well before the end. But it's the getting there that is, if not exactly fun, then certainly hypnotic.
Cary Darling-Fort Worth Star-Telegram/DFW.com

[A] lurid but undeniably powerful story, and the lead performances are compelling.
Frank Swietek-One Guy's Opinion

By the time the last dark plot twist rolls around, any dollop of emotional connection has been diluted in a sea of empty unpleasantness.
Marc Mohan-Oregonian

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